OUVIDOR

OUVIDOR

Director: Matias Borgström / Brazil 2023

Producers: Matias Borgström & Ricardo Imakawa: Salga Filmes; Paula Pripas: Filmes de Abril

Genre: Documentary

Category: Art / Culture / Society / Human Interest / Brazil / Latin America

Language: Brazilian Portuguese

Subtitles: English

Length: 74 minutes

In São Paulo’s city center, 120 Latin artists live and produce in Ouvidor, Latin America’s largest Art squat, facing eviction threats from the government and tensions with the sponsor of their Art Biennial.

After decades of government neglect, a 13-story building in downtown São Paulo is taken over by 120 Latin American artists, creating Ouvidor, the largest Art squat in Latin America. With limited resources for their Art Biennial, the organizers initiate a controversial partnership with Red Bull, leading to deep polarization within the community. While some see this as an opportunity for artistic recognition, anarchists strongly oppose any corporate involvement. Facing constant eviction threats from a government with fascist tendencies in Brazil, they also contend with internal tensions to successfully hold their Art Biennial.

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Festivals & Awards:

  • São Paulo International Film Festival, Brazil 2023
  • Krakow Film Festival, Poland 2024
  • FICPBA International Film Festival, Argentina 2024
  • FICCALI Festival Internacional de Cine de Cali, Colombia 2024
  • Ecofalante Environmental Film Festival, Brazil 2024
  • Seoul International Film Festival (NeMaf), South Korea 2024
  • Festival Film Dokumenter, Indonesia 2024
  • Panoramica Latin American Film Festival Stockholm, Sweden 2024

 

Director's Statement:

In 2017, I organized an artistic installation at Ouvidor. Intrigued by this self-managed artistic community, when they invited me to document their Art Biennial, I was compelled to embark on creating this documentary.

As a documentary director, I’m interested in projects that document cultural movements that are empowered by a sense of collectivity and diversity. In the case of Ouvidor, it became clear the opportunity and responsibility I wanted to assume in order to try to tell their story and transmit their underrepresented voice.

Our approach evolved gradually, respecting the residents' spaces and rhythms. Over a 12-month production period, our small crew spent 55 immersive days capturing the daily life in Ouvidor squat. Through the production of music videos and promotional content for their events, we not only supported the community but also cultivated an environment of collaboration and participation.

Throughout the whole production process, we actively collaborated with Ricardo Cavalcante, a respected Ouvidor resident who assumed the role of our local producer. His invaluable insights, along with feedback on the film's cuts, deepened our understanding of the community's dynamics and respect for the residents' need for privacy on specific matters. The engagement of housing movement leaders and human rights advocates ensured that our documentary resonated with significant societal causes.

As the director, I embraced the role of a story "listener" ("Ouvidor" in Portuguese), creating an environment where residents could share their profound narratives. This approach reinforced the documentary's distinct perspective and community access, as residents felt at ease being documented by external individuals.

A significant layer of the documentary delves into the ongoing discourse surrounding the commercialization of artistic production. While some residents advocate for external support and recognition, others express concerns about the potential "elitization" of their creative expressions. This intricate conflict encompasses communal decisions that transcend simple resolution. Furthermore, a core thematic focus explores societal polarization tendencies, underscoring the necessity of effective communication and coexistence amidst divergent perspectives.

Ouvidor emerged as a central character, representing an array of viewpoints that propelled the narrative forward. The convergence of marginalized groups – including suburban people, LGBTQIA+ individuals, single mothers, immigrants, Black communities, and other minorities – underscored a shared cause deeply rooted in historical struggles and contemporary socio economic challenges.

Rather than mainly highlighting social issues in their daily lives, we emphasize their resilience, determination, and capacity to learn from their experiences, whether they lead to success or setbacks. My intention is for the audience not only to become acquainted with Ouvidor's microcosm but also to experience its vibrancy firsthand, igniting a similar passion within them.

Matias Borgström  

 

 

 

 

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