WHEN I GET JAILED

WHEN I GET JAILED

Director and Producer: Anastasiia Vedenskaia

Category: Current Affairs, Human Rights, Women’s Rights, Activism

Production company: Védavision / France 2025

Language: Russian

Subtitles: English

Length: 65 minutes

Alexei Navalny was a Russian opposition leader, anti-corruption activist and political prisoner. After his death, thousands of people in Russia laid flowers at the Wall of Sorrow to honor his memory. Among them was Alyona, whose gesture became a symbol of resistance. This act led to her arrest and persecution. The film tells a story of fighting for freedom, the courage to confront a repressive system, and the price of remembering a politician. It captures the tense atmosphere of a society where even remembrance becomes a threat, and fear dominates lives.

 

Inevitable as it seemed, the premature death of Russia’s main opposition leader Alexei Navalny on 16 February 2024 still came as a shock. Immediately afterwards, his supporters went to the monument that President Putin himself unveiled in 2017 for the victims of Stalin’s political oppression. The large crowds laid flowers, which were instantly removed by police. Over time, the commemorations continued and merged with opposition to the Ukraine war. Arrests followed, and peaceful protest has been brutally suppressed. Among the demonstrators is Alyona, a young woman with blonde curls and a pink coat. She refuses to be silenced by police batons and is taken away. Facing absurd charges, she must undergo a trial and risk an excessively harsh sentence. Her terrified mother begs her to passively endure the political repression, and avoid getting into further trouble. Scenes revealing Alyona’s act of resistance and its consequences—all captured up close and presumably often filmed in secret—show how Putin’s Russia has become a police state, and how many ordinary Russians are still resisting, despite the risks. – IDFA 

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Director's statement:

This film is a deeply personal story about the fragility of human dignity under pressure, where fear and resistance collide. It is set against the backdrop of one of the most significant events in modern Russian history—the death of Alexei Navalny, a symbol of resistance and hope for millions.
Why did I make this film?
Every scene in this film is imbued with pain, hope, and the struggle for freedom. The story of Alyona and Artem is not merely a narrative of repression—it is a mirror of a society where fear has become a weapon, and every individual’s voice is under threat. Navalny’s death became a catalyst for the events portrayed in the film, intensifying both the repression and the stakes. His legacy and the nationwide mourning for him created a powerful backdrop for the courage and defiance of my protagonists.
I hope this film evokes deep emotions and allows viewers to see reality through the lens of courage, vulnerability, and the will to fight. It is not only a story of repression but an invitation to reflect on the price we pay for freedom. By intertwining the personal journeys of Alyona and Artem with the collective grief and outrage over Navalny’s death, the film underscores the intricate connection between individual resilience and societal resistance.
The role of Alexei Navalny’s legacy in this story: Navalny’s death in the film is more than a political event—it is a turning point that amplifies the repression while also igniting a sense of unity and purpose among those who refuse to be silenced. For Alyona, standing at the Wall of Sorrow was not just an act of mourning but an act of defiance. For Artem, shielding Alyona from riot police was not merely an instinctive gesture but a promise to preserve humanity and dignity. Through their stories, we see how one man’s legacy continues to influence the lives and decisions of countless others.
Anastasiia Vedenskaia

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