ONE-WAY STREET

ONE-WAY STREET

Director: Erez Pery / Israel, USA 2020

Category: Author’s Film / Personal point of view / Art & Culture / New York / USA

Production: Erez Pery, Elad Peleg: Daroma Productions, Israel

Language: English

Subtitles: English

Length: 50 minutes

A filmmaker living in downtown Manhattan for a while, observes the street below from his apartment window while making some cinematic experiments.   

Filmmaker Erez Pery, an Israeli filmmaker living in downtown Manhattan for a while, observes the street below from his apartment window while making some cinematic experiments inspired by “Rear Window” (Hitchcock’s film from 1954). A fixed camera, records from a low floor of a building the passage of passersby, at different climatic moments and gradually begins to look parsimoniously at specific subjects. Then the camera focuses into scenes on the sides, details from other windows, until leading to a more complex story, where the documentary eye turns to the language of (science) fiction. All stimulated by the off-screen sounds of “War of the Worlds”, the famous radio drama carried out by Orson Welles in 1938, which caused a mass hysteria by the listeners, who believed that Martians were attacking earth. The effect of that classic description of Martians landing on Earth, combined with seemingly everyday situations and reinforced by a suggestive ambient music, provoke a fascination that shatters the naturalistic atmosphere of the initial proposal.

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Festivals & Awards:

  • Girona Film Festival, Spain 2021
  • Doc Aviv International Documentary Film Festival, Israel 2021
  • Cinema South International Festival, Israel 2021
  • Doc BuenosAires International Documentary Film Festival, Argentina 2020

Movie Reviews:
* « One-Way Street, a fascinating medium-length film by Israeli director Erez Pery, begins as an exercise in “rear window”. The effect of a classic description of a Martian landing on Earth, combined with seemingly everyday situations, but whose strangeness is reinforced by suggestive ambient music, provoke a fascination that shatters the naturalism of the initial proposal. » Doc Buenos Aires begins, to strip reality of artifice / Javier Diz / Clarín
* « On Sunday 30th October 1938, Orson Welles set up his voice to narrate the arrival of Martians on our planet. It was his adaptation of H. G. Wells' War of the Worlds. So realistic was his radio broadcast dramatization that many listeners were unable to grasp the story’s fictional nature. With that broadcast in the background –a fragment of culture history in the 20th century, certainly – Erez Pery, as if he were a descendant of Martian ancestors, and not just an Israeli living in New York for a while, gets ready to observe from his apartment window the same New York society that reacted in despair and panic to Welles' mythical radio broadcast. Even though many decades have passed, perhaps the very essence of that collective reaction became flagrant: alienation and paranoia still prevail in American society.» Con los ojos abiertos / Roger Koza / Doc Buenos Aires

Video Interview with Erez Pery / Doc Buenos Aires

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